And you don’t know what will sprout And you don’t know what will sprout
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Photo by Daniele Levis Pelusi/Unsplash
Experiences

And you don’t know what will sprout

Maria Czekańska
Reading
time 2 minutes

instead of flowers I got seeds
without pots, soil, or light.
I set aside money, bought a garret:
the sun lit up the windowsill,
left the rest of the room dark.

I found help online:
unwittingly I found myself in a community of gardeners.

standing in line once, talking,
I was accused of carelessness,
as I was smoking, and with flowers nearby!

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I’m not smoking, only
smog has crept through the window
and flutters its wings.

months later, I’ve emerged from the shadows
and just now have noticed
the sun lights up more than the windowsill,
and in the flowerpot the lemons are bursting with juice.


Author’s comments:

I wrote this poem in a smoky room on one of those evenings when you look in vain for the light and hold on to the one bright spot in whichever corner with the hope that it will get bigger. The words of Greg Dulli’s song came to me: “Step into the light, baby.” And so, through the music and the haze, with feet dirty from the soil, I stepped into the light. Sosnowski wrote, “A poem leaves the house and never returns.” Read this one, and then create your own story.

Also read:

On the Edge of Light and Shadow On the Edge of Light and Shadow
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Saul Leiter „Footprints”, ca. 1950 © Saul Leiter Foundation
Experiences

On the Edge of Light and Shadow

Wojtek Wieteska

The Saul Leiter exhibition at the FOAM photography museum has a lot to offer. Besides photos resembling paintings, and a slice of New York in the heart of Amsterdam, a reminder that in the age of digital overload, photography can still have a soul. 

As the first quarter of the twenty-first century draws to a close, we are approaching the bicentennial of the first image recorded using light: “View from the Window at Le Gras.” French physicist and inventor Joseph Nicéphore Niépce positioned his camera (a camera obscura loaded with a light-sensitive copper plate) through his studio window, aiming the lens at the interior courtyard of his home.  

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