In the Footsteps of Russian Spirituality In the Footsteps of Russian Spirituality
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Illustration by Mieczysław Wasilewski
Experiences

In the Footsteps of Russian Spirituality

The Way of a Pilgrim
Mikołaj Gliński
Reading
time 14 minutes

Nobody knows who he was. The nameless, humble ascetic wandered Russia searching for himself (and God). His musings, published anonymously as The Way of a Pilgrim, are a legacy of 19th-century Eastern Christian mysticism, whose influence is visible still today, including in Western culture.

It’s not often that the hero of a book that has entered the canon of world literature is a person so sincere and guileless, while simultaneously so enthralling to readers. The narrative mechanism is also simple: already on the first page, the whole story is set in motion. One Sunday the main character stops by a church, where I Thessalonians is being read, and he hears the sentence: “Pray without ceasing” (I Thess. 5:17). “This saying struck me,” the hero confesses, “and I began to wonder: how is it possible to pray without ceasing when everyone must attend to endless matters simply to make a living?”

The rest of the story is an attempt to answer this fundamental question, i.e. what does it mean to ‘pray without ceasing’? The man approaches this task with exceptional humility and consistency. He will search for the answer during wanderings through Russia on foot, from Siberia to the Black Sea, and will find it partly in churches, from various teachers, but also from ordinary people. In a word: from everyone who could have something to teach (which also shows his admirable humility and openness to his fellow human beings). Nevertheless, a key role in his spiritual searching will be paid by a certain unprepossessing book.

The mysterious wanderer

We don’t know much about the hero himself. He comes from Oryol Governorate, that is, from the western part of Russia (the city of Oryol lies about 350 kilometres south of Moscow). From childhood, he has suffered from complete paralysis of his left arm, making it difficult for him to find work once he reaches adulthood. At a certain point, he and his wife fall victim to an act of vengeance and lose their savings. After the death of his beloved, he sells his house, gives his clothing to the poor, and, as he says, goes where his eyes lead him. It’s the middle of the 19th century in Tsarist Russia, most likely just before the abolition of serfdom.

The hero travels on foot

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You Don’t Come Here Voluntarily You Don’t Come Here Voluntarily
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Anton Chekhov. Source: Wikimedia Commons
Experiences

You Don’t Come Here Voluntarily

Chekhov and Sakhalin Island
Andrzej Kula

“Why are you keeping a dog and a rooster tethered?” Anton Chekhov asked one of his interlocutors during a three-month stay on the Russian island that was then unknown to the public. “Here, in Sakhalin, everything is on a chain,” the host replied.

Lower down stands a crumbling building, and not much further you can see the remains of another. In the background, there is a hill and the sea hitting against it. Everything is covered with snow. The color white dominates in these photos: in one of them the photographer managed to capture the snowstorm in the city, while in another you can see a woman struggling through snowdrifts reaching up to her knees. Here someone is fishing in a blowhole, over there a man is pushing wheelbarrows with coal. There is also an elderly man in a rural setting, walking across a road that resembles a gutter surrounded by several-dozen-centimeter-high snowdrifts on both sides. This is what Sakhalin looks like today. With an area similar in size to Czechia, the island is situated on the eastern borders of Russia. Further, there is only Kamchatka. Even further, beyond the Pacific Ocean, the US begins (from Yuzhno-Sakhalinsk, it is closer to Honolulu than to Moscow).

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