Maria Prymachenko: An Artist for Our Times Maria Prymachenko: An Artist for Our Times
i
Maria Prymaczenko, Our penguin friends wanted to look at Polesie: How they plow here and how beautifully young people dance, 1989
Art

Maria Prymachenko: An Artist for Our Times

Kacha Szaniawska
Reading
time 7 minutes

She is Ukraine’s most famous artist. She painted, drew, decorated ceramics, and embroidered. Her designs have graced postage stamps and coins, and she remains an inspiration to artists and textile designers today. 

The world rediscovered Maria Prymachenko on February 27, 2022, when the Ukrainian Ministry of Foreign Affairs reported that Ivankiv Historical and Local History Museum (in Kyiv Oblast) had burned down following a Russian bombardment. Twenty-five of the artist’s works were inside, and local residents managed to rescue some of them. 

Maria Prymachenko was born in 1909 into an artistically talented rural family in the village of Bolotnia. Her mother did embroidery, her father was a carpenter, and her grandmother painted Easter eggs. Just like another outstanding female artist—the surrealist painter Frida Kahlo—Prymachenko suffered from polio as a child, and she also wore long, hand-embroidered skirts to conceal her paralyzed leg. 

She learned to draw, paint, and embroider at home. Even though she never acquired any artistic qualifications and had just four years of primary education, she became a professional embroiderer

Information

You’ve reached your free article’s limit this month. You can get unlimited access to all our articles and audio content with our digital subscription. If you have an active subscription, please log in.

Subscribe

Also read:

A Fictional Autobiography A Fictional Autobiography
Photo

A Fictional Autobiography

Rinus Van de Velde

Rinus Van de Velde is a Belgian artist whose work spans a range of media, though he is best known for his large-scale narrative drawings. Each features a handwritten caption of one of his musings, which are often witty or existential in nature. While the charcoal drawings often depict him as a central figure, the majority of his colorful oil pastel works only insinuate a human presence.  

Though Van de Velde’s work reads as plein air, he has never been to the places in his drawings and instead imagines them from the confines of his studio. At times the works take the form of letters to other artists, and he is often in dialogue with the likes of Matisse, Monet, Hockney, and Doig. With his drawings, he has created a fantasy life for himself of the places he wishes to have seen and the life he wishes to have lived. The images presented here feature work from his most recent shows at Max Hetzler in Paris and Tim Van Laere in Rome.

Continue reading