Open Your Ears
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“Lunch at the Restaurant Fournaise,” Pierre-Auguste Renoir, 1875. Source: The Art Institute of Chicago (public domain)
Experiences

Open Your Ears

The Art of Listening
Aleksandra Pezda
Reading
time 11 minutes

Listening to another person patiently and attentively is a dying skill. There are reasons why it should be revived.

Not so long ago, I attended a meeting of a local Bettors Anonymous (BA) group in Poland. One conversation dealt with everyday issues—someone had argued with their mother-in-law, another had been bored at work that day. One of the men talked for a quarter of an hour about the puppy he had recently brought home: what the dog ate, how it played, how many times a day it needed letting out. Though the story lacked action, no one tried to interrupt. We listened solemnly and without comment. The meeting was open. I went because I was working on a report about addiction, but I did not conceal this and was well aware of the main rule of the meetings—that none of the participants’ stories can leave the group. Apart from me, no new people had joined, thus there was no “powerful” story about falling into or beating addiction, typical for BA first-timers. I might have been bored. However, after the first hour I realized that I did not want to leave the hall. Time passed, but I didn’t feel like I was wasting it. I was surprisingly comforted listening to reports of everyday lives which lacked any dynamic punchlines. I was enthralled by the peace which surrounded us. Nobody interrupted anyone. No one showed even the slightest bit of impatience. There were no arguments, jibes, or stunts. I could not remember when I had last had such a seamless and calming time with others.

A Luxury Item

Over two thousand years ago, Zeno of Ci

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Nature’s Melodies Are Disappearing
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Photo from the private archive of Marcin Dymiter
Nature

Nature’s Melodies Are Disappearing

A Conversation About the Contemporary Soundscape
Aleksandra Kozłowska

We search for beautiful views to capture them in photos. But musician Marcin Dymiter reminds us that a beautiful soundscape also counts, one where swishing trees, chirping sparrows, and the buzzing of bees play first fiddle.

Field recording is a way of documenting sounds in their natural environment. At the turn of the 19th and 20th centuries, this method was mainly employed in ethnography—researchers would record folk songs and music. But field recording also serves to document the sounds of nature. Before my conversation with Marcin Dymiter I’d been listening to his album Field Notes #4: Pejzaż Dźwiękowy Pomorza (“The Soundscape of Pomerania” in English). It was a cold, cloudy evening, but when I closed my eyes, I was surrounded by the croaking of frogs, the trills of great reed warblers from the nature reserve of the Baltic Sea’s Sobieszewo Island, the splashing of waves. I am momentarily (and mentally), transported to a summer day by the lake where I often kayak, listening to birds and the rustling of reeds. Even the most beautiful picture wouldn’t have taken me there. My face felt the warmth of the sun, and I could smell the slightly muddy water.

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