Many myths and contrived overinterpretations have sprung up around Hieronymus Bosch’s triptych “The Garden of Earthly Delights.” However, the latest research—conducted after hours by the editors of Przekrój—suggests that one shouldn’t seek sophisticated esoteric teachings in the Dutch master’s painting. Earthly delights mean just that, and more specifically, a rather successful New Year’s Eve party. With the help of simple symbols, Bosch conveys the basic principles of ensuring a carefree, happy transition into the next twelve-month cycle.
Hieronymus Bosch, “The Garden of Earthly Delights,” triptych, 220 x 390 cm. Prado Museum, Madrid
The left panel of the triptych depicts getting ready to go out and have fun.
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Adam’s sedentary position indicates his aversion to the very idea of partying on Saint Sylvester’s Day. He thinks it’s an evening just like any other, best spent without leaving the house at all. Eve, on the other hand, thinks it’s practically a sin not to celebrate.
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Their dispute is settled by Jesus, siding with Eve.
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Raising the three fingers of his r