Reality Is Much Scarier than My Films
Sion Sono (press materials – Five Flavours at Home VOD)

Reality Is Much Scarier than My Films

An Interview with Sion Sono
Sylwia Niemczyk
time 4 minutes

For those familiar with his work, the Japanese film-maker Sion Sono needs little introduction. Yet – perhaps rather surprisingly, given his extensive filmography – Sono’s cinema often finds itself hidden behind the doors of film festivals or on boutique film distribution labels.

Best-known internationally for his 2008 feature Love Exposure – a four-hour epic that explores religion, crime, family and perversion, all with a darkly comic undertone – Sono is a prolific artist. Across a career spanning more than three decades, he has more than 30 film credits to his name, including the violent horror satire Suicide Club (2001) and the erotic ‘pink film’ critique Antiporno (2016). Along the way,


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Superflat Depths
The “Murakami Versailles” exhibition, 2010, Palace of Versailles. Source: France Chateau / Alamy Stock Photo

Superflat Depths

Takashi Murakami’s Art Movement
Karol Sienkiewicz

For years, the Japanese Superflat movement – one of the most fascinating artistic phenomena of the past decades – has been mocking the traditional (from our perspective!) Western distinction between high and low art. Stubborn like a delighted child, it keeps evading all the familiar, tamed forms.

At the beginning of the third millennium, the Cool Japan trend was in full bloom. Its crowning jewel turned out to be a new direction in Japanese art. Its main creator, Takashi Murakami, called it Superflat.

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