Ten Bulls Ten Bulls
i
Drawing by Daniel de Latour
Fiction

Ten Bulls

Kuòān Shīyuăn
Reading
time 2 minutes

Here is an old tale that is part of the Zen tradition. At first, it only consisted of drawings (five, six, and eventually ten) and poems, which we present you with below. Their author, a Chinese monk, lived in the twelfth century and was called Kuòān Shīyuǎn. The parable became extremely popular in Japan, from where it reached the West in the twentieth century.

As far as the content is concerned, we can traditionally interpret the man heading out to search for the bull as embarking on a quest to look for one’s true nature. But there is nothing wrong with understanding the symbolism of the bull in a different way!

1. In Search of the Bull

In the pasture of the world,
I endlessly push aside the tall
grasses in search of the Ox.
Following unnamed rivers,
lost upon the interpenetrating
paths of distant mountains,
My strength failing and my vitality
exhausted, I cannot find the Ox.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

2. Discovery of the Footprints

Along the riverbank under the trees,
I discover footprints.
Even under the fragrant grass,
I see his prints.
Deep in remote mountains they are found.
These traces can no more be hidden
than one’s nose, looking heavenward

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ilustracja: Daniel de Latour
Drawing by Daniel de Latour

3. Perceiving the Bull

I hear the song of the nightingale.
The sun is warm, the wind is mild,
willows are green along the shore—
Here no Ox can hide!
What artist can draw that massive head,
those majestic horns?

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

4. Catching the Bull

I seize him with a terrific struggle.
His great will and power
are inexhaustible.
He charges to the high plateau
far above the cloud-mists,
Or in an impenetrable ravine he stands.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

5. Taming the Bull

The whip and rope are necessary,
Else he might stray off down
some dusty road.
Being well-trained, he becomes
naturally gentle.
Then, unfettered, he obeys his master.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

6. Riding the Bull Home

Mounting the Ox, slowly
I return homeward.
The voice of my flute intones
through the evening.
Measuring with hand-beats
the pulsating harmony,
I direct the endless rhythm.
Whoever hears this melody
will join me.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

7. The Bull Transcended

Astride the Ox, I reach home.
I am serene. The Ox too can rest.
The dawn has come. In blissful repose,
Within my thatched dwelling
I have abandoned the whip and ropes.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

8. Both Bull and Self Transcended

Whip, rope, person, and Ox—
all merge in No Thing.
This heaven is so vast,
no message can stain it.
How may a snowflake exist
in a raging fire.
Here are the footprints of
the Ancestors.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

9. Reaching the Source

Too many steps have been taken
returning to the root and the source.
Better to have been blind and deaf
from the beginning!
Dwelling in one’s true abode,
unconcerned with and without—
The river flows tranquilly on
and the flowers are red.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

10. Return to Society

Barefooted and naked of breast,
I mingle with the people of the world.
My clothes are ragged and dust-laden,
and I am ever blissful.
I use no magic to extend my life;
Now, before me, the dead trees
become alive.

ilustracja: Daniel de Latour
Drawing by Daniel de Latour

Poems translated by Senzaki Nyogen and Paul Reps; introduction translated by Julia Potocka-Ostaszewska.

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A Personal Journey Across Buddhism (Part 3)
Juliusz Strachota

“It’s impossible to fulfill the constant internal deficiency that so nags at us. You can’t find peace in yet another status, achievement or school of Buddhism.” Juliusz Strachota writes about the next steps on his path in the third part of our series.

My Zen teacher repeated: cultivate the thought I DON’T KNOW. But years later, I once again wanted to know. And I kept asking. And I suspected that my teacher just simply didn’t know – in the ordinary sense. That Zen, which emerged about a thousand years after the Buddha, doesn’t really work on the elementary teachings of the master, and my teacher most definitely didn’t work on them. And the teachings of the Buddha that I had read on Wikipedia seemed to be much more understandable than the instructions that accompanied my school’s practice.

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