The Double Life Of Israel
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Illustration by Cyryl Lechowicz
Experiences

The Double Life Of Israel

The Bittersweet Tale of a Hawaiian Musician
Jan Błaszczak
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time 6 minutes

Although he sang about the rights of his disadvantaged countrymen, Israel Kamakawiwoʻole only registered in the general consciousness as the ‘gentle giant’ who played the American standards.

Israel Kamakawiwoʻole is one of the symbols of Hawaii. One can argue about the artistic significance of his work, but one can also see the difficult history of the island nation reflected in the fate of this musician, as if peering into the waters of the Pacific Ocean. This history speaks not only through his life story and lyrics. The way Kamakawiwoʻole’s songs were received – so strongly correlated with the nationality of the listener – also says as much about the fate and misery of the Hawaiians. Considering that these two perspectives on the creativity of the artist, who died in 1997, cannot be reconciled, one could say that he warranted two biographies: the local and the global; the prosaic and the Hollywood. One of them could have been written by the left-wing historian Howard Zinn, the second could have

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Christian missionaries took a lot of trouble to kill off the sacred sports of the inhabitants of Hawaii. Fortunately, they failed. Today, surfing is increasingly popular all around the world, and enthusiasts have thrown themselves into resurrecting the Hawaiian pastime of ‘sledging’ down the slopes of volcanoes.

“For expert surfers going upland to farm, if part way up perhaps they look back and see the rollers combing the beach, will leave their work […] then, hurrying away home, they will pick up the board and go. All thought of work is at the end, only that of sport is left. The wife may go hungry, the children, the whole family, but the head of the house does not care. He is all for sport, that is his food.”

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