Together We Stand
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Photo courtesy of Kristof Deák
Experiences

Together We Stand

An Interview with Kristof Deák
Dariusz Kuźma
Reading
time 10 minutes

Zsofi is a well-mannered and timid young girl who joins her new school’s award-wining choir to anchor herself to her new reality. But after the first rehearsal, the teacher tells her in private that she should stay silent and mime the lyrics. The explanation? Zsofi deserves to be a part of the choir’s success story, yet is not good enough to sing in it. The girl is heartbroken, but finds an unexpected ally in Liza, one of the most popular girls in school. This is Sing, Kristof Deák’s Academy Award-winning short film that speaks volumes about the world we live in today. Running only 25 minutes long and available to view for free on YouTube, it should be a mandatory viewing for parents and teachers alike.

Dariusz Kuźma: Sing is a powerful reminder of the ever-increasing necessity to educate people, both young and old, on how to prevent – or simply become more immune to – cases of social injustice. It is such an emotionally intense story that it seems like it was somehow personal. Was it?

Kristof Deák: Kind of. It started as a personal story that was recounted to me by my flatmate in London. She grew up in Sweden and lived through the situation you see in the film. Basically, the only thing I added was the part in which the kids stand up creatively against the teacher. I did that to have a narrative closure, and because, artistically, I believe it’s most effective to talk about such things when you invite the viewers to experience a range of emotions. I made Sing to ignite a discussion – but the ubiquity and universality of children encountering oppression in small ways still surprised me. They are innocently trying to assimilate the rules of the society they live in, and to an extent they learn the lies we all have to accept to live with each other and form a society. These are pivotal moments to most kids, and I think there should be a bigger discussion about this.

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Societies Need More Time to Change
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Photo courtesy of HBO Europe
Experiences

Societies Need More Time to Change

An Interview with Alexander Nanau
Dariusz Kuźma

It all started on 30th October 2015 when the popular Bucharest nightclub Colectiv burned to the ground as a consequence of careless use of pyrotechnics at a concert. Although the place was approved by the proper authorities, there were not sufficient fire exits. Thus, 27 young people died in the fire, while 180 suffered heavy burns and injuries. As a result, people all over Romania took to the streets to protest against the corruption and gross negligence of those responsible. Actually, it started much earlier, as the Colectiv tragedy and its subsequent victims (37 of the survivors died during the following months, many due to mishandling by ill-prepared hospitals) revealed countless skeletons in the nation’s closet. Nevertheless, Alexander Nanau, the director of the brilliant whistleblowing documentary Collective, which chronicles the social and political turmoil in Romania, sees light at the end of the tunnel.

Dariusz Kuma: In the documentary, the Colectiv tragedy is a fait accompli, and rather a starting point for a journalistic investigation and government reshufflings caused by the social uproar. Was it the fire that made you shoot the film, or what happened after?

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