Touch the Earth Lightly Touch the Earth Lightly
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Photo by Glenn Murcutt; courtesy of Architecture Foundation Australia
Art, Fiction

Touch the Earth Lightly

An Innovative Aboriginal Home
Zygmunt Borawski
Reading
time 7 minutes

Before Glenn Murcutt designed the house for Banduk Marika, he studied Aboriginal culture and history extensively for three years. Thanks to this, a striking building was built in Yirrkala in the north of Australia, admired for its elegant simplicity, environmental technological solutions and respect for the cultural heritage of its inhabitants.

The client’s recommendations to the architect, different to what he usually received, sounded roughly like this:

– the ability to watch the horizon and changes in the weather, movements of land and sea animals, as well as people from inside the house;

– the ability to observe the water, trees and animals, that is, the totems of ancient ancestors and relatives;

– the ability to use local winds for ventilation;

– that the entrance, as in traditional Aboriginal shelters, would be near one end of the house, but not on its axis;

– that the parents can sleep west of their children, after all, the West means the end of the day, the past, and is closer to death. The children’s rooms should be located east of their parents’ bedroom, so that the daughters sleep directly next to their parents and the sons east of the daughters. The East is the beginning of every new day, the beginning, and the future of a new life;

– that sleeping spaces are separated s

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Dreaming of Crystal Houses Dreaming of Crystal Houses
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J. McNeven, William Simpson, Crystal Palace in Hyde Park, 1851. Victoria & Albert Museum in London
Art

Dreaming of Crystal Houses

The Great Victorian Exhibition Space
Zygmunt Borawski

“This can’t be designed in two weeks,” they said. “A self-taught man with no technical education cannot come up with a stable framework,” they grumbled. We don’t know who bought Joseph Paxton a beer, but every Brit knows what the Crystal Palace was.

The 19th century was the age of revolution, Napoleon, industrialization and international exhibitions. The first one took place in London’s Hyde Park in 1851, on the initiative of Prince Albert, privately the husband of Queen Victoria, up until recently the longest reigning British monarch. During her rule, Britain developed into the world empire that was getting rich quickly; thanks to the new markets and due to the galloping industrial revolution, its workshops and factories were releasing new products at full speed. They were presented to a wider audience at national exhibitions, of which the most splendid one took place in the turbulent but still imperial France. And since this situation bothered the British (not for the first time in history), they decided to show the French that it was their products and exhibitions that were the best in the world. That’s how the decision to organize the first world exhibition in London was taken. The Royal Commission was formed, which was to organize it and fundraise for it. It was led by Prince Albert.

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