Sława Harasymowicz

is a Polish visual artist using drawing, photography and moving image along with more typical ‘graphic media’, such as screen-print or digital reproduction, in works exploring the relationships between text and meaning, word and context, art and language, (lack of) image and imagination. Her point of departure is often ‘archive’, as a strategy and a cognitive tool to pose questions around the validity of recollection, the ambiguity of reconstruction, political representation and autobiography. Harasymowicz has recently exhibited at Archaeology of Photography Foundation, Warsaw (2020), Crate Margate (2019) and Margate Town Museum in collaboration with Turner Contemporary (2018), BWA Gallery Tarnów (2018) and Bunkier Gallery, Kraków (2017-18). Alumna of the Royal College of Art London and the Jagiellonian University Kraków, she is currently undertaking a practice-based PhD in Fine Art at Central Saint Martins, University of the Arts, London. She lives in East Kent on the North Sea Coast.
The Bay
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The Bay

The point of departure for Sława Harasymowicz’s exhibition is a tragedy that took place in the closing days of World War II, in Neustadt Bay, near Lübeck. Prisoners evacuated from the Neuengamme concentration camp lost their lives in the bombardment of three German ships by the RAF; among those who perished was the artist’s great-uncle, Marian Górkiewicz. The artist undertook years of research to learn the circumstances behind her relative’s death.
Sława Harasymowicz