A Discreet Genius A Discreet Genius
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Sławomir Mrożek, Diogenes Verlag AG – drawing from the archives
Experiences

A Discreet Genius

The Life of Ervin László
Paulina Wilk
Reading
time 14 minutes

He believed everything to be connected and part of a greater unity. Perhaps there was something that made him so sure of that.

In the summer of 1973, philosopher Ervin László had become tired. The great thinker had just completed another global UN project, and, despite invitations from prestigious universities, he chose a ruined chapel overgrown with tall grass. His intuition—which had saved his life and led him to discoveries many times before—suggested it was a good place for a year of rest. That year has stretched into almost half a century now, and László’s Tuscan house has become the perfect place for deepening his subtle relationship with the universe.

The beginning was bright and happy. He was given the name Ervin because of how original it was. No one in the family of the boy’s father—a Hungarian shoe manufacturer—had one like it. The year was 1933, and business was thriving. Ervin grew up in a spacious apartment in Budapest, overlooking the park and the city’s spectacular architecture. He loved music. His mother was his first piano teacher. Ervin wasn’t good at reading sheet music—and it would stay that way—but, when he played, it was as if he breathed the music; like he was in a different world. Beethoven’s Appassionata by Wilhelm Backhaus was his favorite. He played it over and over again, as it transported him to a land of unknown wonders.

Viewing music as a vehicle into a different dimension is apt in the context of László’s biography—because just one trajectory of existence is not enough to describe his life and philosophy. He was so eager to perfect his own interpretation of Appassionata that his mother brought him to Professor Székely, a prominent figure at the Liszt Ferenc Academy of Music in Budapest. Upon hearing the boy play, the stately professor exclaimed, “Simply genius!” and the mother just nodded, unsurprised. They went back home, but from then on nothing was the same. The life of a brilliant pianist had begun.

A Genius in High Society

At the sight of the first poster announcing his concert with the Budapest Symphony Orchestra in 1942, nine-year-old Ervin fell over running to the bulletin pole. Because it was customary for little boys to perform

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Bright Soul Bright Soul
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Peter Deunov in the 1930s
Good Mood

Bright Soul

The Life of Peter Deunov
Paulina Wilk

His first class in 1900 was attended by only three students, each of a different religion. But before long, 40,000 people – including Einstein and Gandhi – were turning up to the Bulgarian spiritual master’s lectures. In a Europe that was being torn apart by monstrous wars, Peter Deunov proposed a universal paradise. Surrounded by mountains and lakes, he showed how to live in love and perfect harmony with nature, heralding the rebirth of souls and the advent of a new era.

On 10th January 1944, American and British planes made yet another bombing raid on Sofia, destroying nearly 500 buildings and killing hundreds of people. Before the bombers returned, Beinsa Douno – known as the Master – left the city for the village of Marczewo in the Vitosha Mountains. Supposedly, he told a priest he knew who visited him there: “I have completed my work on Earth. I am leaving.” When his friend visited again in December, Beinsa Douno asked: “Who are Beethoven, Jesus and Deunov? Only God is eternal and limitless, only He is reality.” Then he sang for the last time. He hummed Aoum, his own simple song composed of a single syllable, expressing the sum of existing sounds. During the cold, foggy days of December, he stayed in bed, withdrew from contact with his surroundings, and told visitors that the human body is just temporary and that he no longer wanted to remain in the physical world. He died of double pneumonia on 27th December around 6pm. His students dressed his body in white clothes, the way he had dressed for years – in the photographs and documentaries in which he features, he was almost always wearing a white linen suit like a character from a Chekhov play. His jaw-length hair and beard were bright white. Right up until his death, he retained his keen, penetrating gaze and noble features: a beautiful, perfectly straight nose, prominent cheekbones and shining pupils. He always walked tall, with a relaxed, light step. His appearance, unchanged for decades, was an illustration of spiritual stability – time has barely touched him, leaving only a smattering of wrinkles and perfectly white hair. The pathologist who examined Deunov’s body reportedly said that in his 50 years on the job he had never seen such a youthful organism.

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