A Painter in Turbulent Times A Painter in Turbulent Times
i
Mela Mutermilch, photograph published in the magazine “Feminal” on 25th June 1911
Experiences, Fiction

A Painter in Turbulent Times

The Life of Mela Muter
Zbigniew Libera
Reading
time 10 minutes

Have you heard of Mela Muter? Here is the story of a Polish-Jewish painter who was active in difficult times. She studied art in academies and under the tender eyes of authority figures, had affairs with Leopold Staff and Rainer Maria Rilke, and died alone.

Maria Melania Klingsland, later known in the art world as Mela Muter, was born on 26th April 1876 in a Warsaw tenement at 28 Leszno Street, Apartment 12. She was the second of five children of Fabian Klingsland and Zuzanna, née Feigenblatt. Melania’s parents belonged to a group of rather wealthy Jews, which is also attested by the location of their home on the southern side of Leszno Street, at the time known as ‘Ujazdowska Avenue of the Jewish district’. Fabian Klingsland, born in 1838, owned a department store in the city centre, at 129 Marszałkowska Street. Mela’s mother, 10 years younger than her spouse, came from from the Muszkats, a famous family of rabbis and kohanim. The Klingslands spoke Polish at home and supported Polish attempts at regaining independence. Fabian tried to be a patron of young writers. Władysław Reymont and Jan Kasprowicz were among the guests at his home. Every now and then Leopold Staff also popped in, who was to play an important role in Mela’s later life.

The Klingslands’ children, on top of conventional education, were also fostered by German and French governesses. Melania, due to her weaker physical constitution, had a nanny too, who whispered Polish prayers into her ear when putting the girl to bed. Fabian’s and Zuzanna’s daughter stood out with her beauty and demonstrated exceptional sensitivity and artistic talent. In 1982,

Information

You’ve reached your free article’s limit this month. You can get unlimited access to all our articles and audio content with our digital subscription. If you have an active subscription, please log in.

Subscribe

Also read:

The People’s Republic of Dwarfs The People’s Republic of Dwarfs
i
Sławomir Mrożek, Diogenes Verlag AG – drawing from the archives (no. 1044–1045/1965)
Experiences, Fiction

The People’s Republic of Dwarfs

A Brief History of the Orange Alternative
Zbigniew Libera

They painted dwarfs on walls, handed out sanitary pads, and planted onions in green spaces in cities. Such were the absurd methods by which the Orange Alternative fought against communism in the 1980s.

The social movement referred to as the Orange Alternative came into existence in Wrocław at the initiative of Waldemar Fydrych, aka “the Major”. During the student strikes in November and December 1981, the Major and his friends launched a strike newspaper that bore the same name as the movement. He also wrote Manifest surrealizmu socjalistycznego [The Manifesto of Socialist Surrealism]. Back then, the Polish public was engaged in a silent war against the communist authorities, which played out on the streets of Polish cities. People would paint anti-government slogans on walls, which the authorities would then paint over with relentless meticulousness. The Major came up with the idea of putting images of dwarfs on the splotches of paint used to cover up the slogans. He painted the first two dwarfs in Wrocław in the night of 30th to 31st August 1982. Shortly thereafter, hundreds of dwarfs began to appear in all major cities in Poland, with up to a dozen people painting them in each city. After a year, there were around 1000 dwarfs. However, the Major’s dream – to see citizens covering walls with dwarfs on a mass scale, which he envisioned would touch off a general ‘dwarf revolution’ – never materialized. One of those original dwarfs remains preserved to the present day and can be seen together with a historic plaque on Madalińskiego Street in Warsaw.

Continue reading