He Who Asks Doesn’t Photograph He Who Asks Doesn’t Photograph
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Parts of two photos from a contact sheet from “The Americans”
Art

He Who Asks Doesn’t Photograph

A Conversation About the Legacy of Robert Frank
Ania Diduch, Wojtek Wieteska
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time 10 minutes

An anthology of out-of-focus photographs that became a masterpiece. An artist whose consistency predated the digital revolution by 50 years. An exhibition that was supposed to be a new opening and became a retrospective. Art historian Anna Diduch and artist Wojtek Wieteska discuss “Unseen”, an exhibition of Robert Frank’s work at the renowned gallery, C/O Berlin.

Anna Diduch: Robert Frank is a cult figure of 20th-century visual culture for me. But I am under no illusions that many people heard about him for the first time just one month ago, from the media coverage of his death. So I wonder seriously: who cares about Robert Frank these days?

Wojetk Wieteska: I think one answer could be as follows: I am a young photographer and I look around at what my contemporaries are doing (as they are the closest). Then I check out what my teachers or other professional artists are into. Then I look at some other, more distant photographer and then the next. Gradually, I widen the spectrum of my interest to other artists until, finally, I discover Robert Frank. I look about me and it turns out that I have scaled the Himalayas.

Przed wejściem do C/O Berlin - odbicie w lusterku jednego z plakatu promującego wystawę.
Przed wejściem do C/O Berlin – odbicie w lusterku jednego z plakatu promującego wystawę.
Z wnętrza wystawy - odbicie fotografii na stacji Zoologische Garten.
Z wnętrza wystawy – odbicie fotografii na stacji Zoologische Garten.
Wnętrze wystawy.
Wnętrze wystawy.
Wnętrze wystawy i fragment fotografii: Peru 1948.
Wnętrze wystawy i fragment fotografii: Peru 1948.

And at that moment you decide that

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Also read:

The “Unseen” Photography of Robert Frank The “Unseen” Photography of Robert Frank
Art

The “Unseen” Photography of Robert Frank

An Interview with Martin Gasser
Ania Diduch, Wojtek Wieteska

60 years ago, Swiss-American photographer Robert Frank’s photobook The Americans was published in the US. A series of striking images shot on the road, Frank’s collection cut through the country’s supposed post-war prosperity to show a side of American society ridden with anxiety, despair and loneliness. Jack Kerouac, the Beat poet who wrote the introduction to The Americans, put it thusly: “To Robert Frank I now give you this message: You got eyes.”

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