Stay in and Play
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Illustration by Igor Kubik
Fiction

Stay in and Play

Pandemic Diaries
Luka Kurjački
Reading
time 7 minutes

The pandemic has for some been a time of interpersonal tensions – including Dušan in Belgrade, who has an overbearing mother and a wife with a chronic disease. Here, his story is retold by a friend, who tries to establish what exactly has been passing through Dušan’s mind…

 ̶A̶b̶o̶u̶t̶ ̶a̶ ̶m̶o̶n̶t̶h̶ ̶a̶g̶o̶,̶ ̶t̶h̶e̶ ̶l̶o̶c̶k̶d̶o̶w̶n̶ ̶e̶n̶d̶e̶d̶.̶ ̶I̶ ̶c̶a̶n̶n̶o̶t̶ ̶r̶e̶m̶e̶m̶b̶e̶r̶ ̶t̶h̶e̶ ̶l̶a̶s̶t̶ ̶t̶i̶m̶e̶ ̶I̶ ̶w̶a̶s̶ ̶s̶o̶ ̶s̶c̶a̶r̶e̶d̶.̶ ̶I̶ ̶d̶o̶n̶’̶t̶ ̶k̶n̶o̶w̶ ̶h̶o̶w̶ ̶t̶o̶ ̶e̶x̶p̶l̶a̶i̶n̶ ̶i̶t̶.̶ ̶I̶t̶’̶s̶ ̶h̶a̶r̶d̶ ̶t̶o̶ ̶s̶t̶a̶r̶t̶ ̶t̶a̶l̶k̶i̶n̶g̶ ̶a̶b̶o̶u̶t̶ ̶w̶h̶a̶t̶ ̶y̶o̶u̶ ̶f̶e̶e̶l̶.̶ ̶I̶f̶ ̶I̶ ̶d̶i̶d̶n̶’̶t̶ ̶h̶a̶v̶e̶ ̶s̶o̶ ̶m̶u̶c̶h̶ ̶t̶i̶m̶e̶,̶ ̶I̶’̶d̶ ̶n̶e̶v̶e̶r̶ ̶d̶o̶ ̶i̶t̶.̶ ̶S̶o̶,̶ ̶I̶’̶l̶l̶ ̶t̶r̶y̶ ̶t̶o̶ ̶d̶e̶s̶c̶r̶i̶b̶e̶ ̶t̶o̶ ̶m̶y̶ ̶o̶w̶n̶ ̶s̶e̶l̶f̶ ̶w̶h̶a̶t̶ ̶h̶a̶p̶p̶e̶n̶e̶d̶ ̶t̶o̶ ̶m̶e̶.̶ ̶T̶h̶e̶ ̶o̶n̶l̶y̶ ̶c̶o̶n̶v̶e̶n̶i̶e̶n̶c̶e̶ ̶i̶s̶ ̶t̶h̶a̶t̶ ̶I̶’̶l̶l̶ ̶b̶e̶ ̶b̶o̶t̶h̶ ̶t̶h̶e̶ ̶a̶u̶d̶i̶e̶n̶c̶e̶ ̶a̶n̶d̶ ̶t̶h̶e̶ ̶j̶u̶d̶g̶e̶ ̶o̶f̶ ̶t̶h̶e̶ ̶s̶t̶o̶r̶y̶.̶ ̶M̶a̶r̶i̶a̶,̶ ̶i̶f̶ ̶y̶o̶u̶ ̶b̶y̶ ̶a̶n̶y̶ ̶c̶h̶a̶n̶c̶e̶ ̶f̶i̶n̶d̶ ̶t̶h̶i̶s̶ ̶–̶ ̶g̶o̶ ̶t̶o̶

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I’d Love to Go Out on the Town
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Illustration by Igor Kubik
Experiences, Opinions

I’d Love to Go Out on the Town

Pandemic Diaries
Maciej Stroiński

In the famous railway platform scene in The Hours, Virginia Woolf says that she misses the city, she misses city life. I understand her so well, writes Maciej Stroiński.

The greatest concentrations of people, known as cities, are currently ‘cancelled’. Perhaps because Wuhan is also a city. Today the role of the city is to not fulfil its role, to not gather people together. Everyone’s supposed to be at home, left in their estate almost as if in a castle; my home is my hotel and my hospital. Nothing pulls you to the centre. The cinemas are closed, the restaurants are closed, everything’s closed, and the worst is that the theatres are, but as it turns out, Wisława Szymborska was right: “Without that love, you can live.” In To Damascus, Strindberg asks: “How can you live without music?” and years later we can tell him it’s enough to have YouTube, if you don’t mind spending your life in front of a screen. I know “the idiocy of rural life” – as Marx put it – from my own experience. Idyllic vacations don’t appeal to me at all, and I think I will always remain a village boy for whom going to the forest, the lake or the mountains is like going nowhere. Life is found elsewhere: in places with a market and a theatre. And so Houston, we have a problem, now a temporary one, but everywhere is like a village, and nothing’s happening anywhere. In the end, we really do live in a global village. It’s not a metaphor anymore!

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