When the Brain Is Dying When the Brain Is Dying
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Drawing: Marek Raczkowski

When the Brain Is Dying

Wojciech Glac
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Our increasingly effective methods of reanimation have one advantage that may go overlooked: those who come back to life supply us with more descriptions of what they saw and felt when they were nearly dead. Neurologists are eager to hear such stories. 

Heart attack. Pain. Terror. Panic attack. Cardiac arrest. Cerebral hypoxia. Loss of consciousness. Silence. Time stands still, though the hands of the watch keep marking the seconds and minutes. Reanimation. Restoration of the vital functions. Restoration of consciousness. 

Research shows that around 20 percent of patients who have experienced clinical death and returned to the world of the living remember the experience. They not only describe their state as conscious but they also claim it was more vivid than waking life. Moreover, they are certain that the experiences they recall are absolutely real. These memories, although they come from a wide range of people, bear an astonishing similarity. These are defined as NDEs, or Near-Death Experiences. This phenomenon was popularized in the 1970s by American doctor and psychologist Raymond Moody, author of Life after Life. Yet similar descriptions can also be found in Plato’s Republic as well as the Bible and the Egyptian Book of the Dead or the Tibetan Book of the Dead. The people around the world who have had near-death experiences number in the millions, and, with advancements in resuscitation techniques and reanimation, this number is only rising. Although most of the testimonies come from people whose state of clinical death came from a heart attack, injury, or stroke, it seems this kind of experience could also happen in moments of mortal danger. It has also been described by those who have had serious, potentially fatal, accidents or victims of crimes who did not quite experience cardiac arrest and never stopped breathing. 

The incredible consistency of phenomena experienced by patients in a state of clinical death has served as the basis for charting the most common symptoms, which are used to classify a patient’s experience as near-death. According to psychiatry and neurobehavioral sciences professor Bruce Greyson, these symptoms include: a disrupted sense of time, speeding up of thought processes, life flashing before one’s eyes, a sense of total understanding, peace, pleasure, being united with the universe, the impression of being surrounded by light, unnaturally acute sensory impressions, extrasensory perception, cognitive visions, loss of a sense of physicality, the impression of being outside of the world, the presence of gods, angels, or spirits of the dead, and, finally, hovering on the border between life and death. The American psychologist Kenneth Ring,

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Simple, Ordinary Kindness Simple, Ordinary Kindness
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"Happy Family", Giovanni Battista Torriglia / WikiArt (public domain)
Good Mood

Simple, Ordinary Kindness

Jowita Kiwnik Pargana

It’s in our blood: kind gestures are evolution’s gift to humankind. If it hadn’t been for kindness, the story of our species would most likely have taken a very different turn. 

It is evening. Valentine, the main protagonist of Krzysztof Kieślowski’s film, Three Colors: Red, leaves a theater in Geneva, and watches for a while as a bent, elderly woman struggles to deposit a bottle in a recycling bin. Valentine helps her. The bottle scene also appears in the two previous parts of Kieślowski’s film trilogy, but in in neither of them does the elderly person receive help. In the previous film, Blue, the protagonist fails to notice the elderly woman, and in White (where instead of the woman, an elderly gentleman appears) the main character watches the man’s struggles with a cruel smile. Only Valentine reacts. “In a sense, that single, simple act of kindness is the climax of the entire trilogy,” wrote American critic Dave Kehr in his 1994 review for the New York-based journal, Film Comment, calling what Valentine does, “the gesture that saves the world.”   

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