Janusz Korczak’s Indian Dream Janusz Korczak’s Indian Dream
i
Janusz Korczak, Source: PAP/CAF
Good Mood

Janusz Korczak’s Indian Dream

A Play in the Warsaw Ghetto
Agnieszka Witkowska-Krych
Reading
time 8 minutes

Although he never visited the country, the children’s author and pedagogue Janusz Korczak dreamed of India and thought of it often. He said it was holy. Amid the hell of war, he staged an Indian play with the children in his care about a sick boy waiting trustingly for his final days.

Spring 1942, shortly after the end of Pesach. The Warsaw ghetto has existed for about a year and a half, and over four hundred thousand Jews are living within its walls, in a restricted area resembling a labyrinth. Among them are many orphaned Jewish children placed in care facilities. One of these institutions is led by pediatrician Henryk Goldszmit, commonly known as Janusz Korczak. Before the war, he authored a number of books for children and adults, founded the newspaper Mały Przegląd [Little Review], and presented a radio program that aired until the war began in September 1939.

After more than two years living under German occupation, experiencing imprisonment, hunger, and the constant anxiety of responsibility for two hundred children in addition to his colleagues, Korczak described one of his dreams while preparing material for the weekly newspaper for orphanage residents:

I lay down for a while and fell asleep again. And once again I’m riding, swimming, or running, or floating on wings… This time

Information

You’ve reached your free article’s limit this month. You can get unlimited access to all our articles and audio content with our digital subscription. If you have an active subscription, please log in.

Subscribe

Also read:

The Creatives and Art of Poland’s Jewish Ghettoes The Creatives and Art of Poland’s Jewish Ghettoes
i
Gela Seksztajn, “Self portrait” / Wikipedia
Experiences

The Creatives and Art of Poland’s Jewish Ghettoes

Sylwia Stano

Painters, writers, musicians, actors. The residents of Poland’s Jewish Ghettoes—for whom living also meant creating—produced artistic works till the end. Sylwia Stano writes about those who didn’t let their love for beauty be taken away from them.

The first concert of the Jewish Symphonic Orchestra took place in Warsaw on November 25, 1940, nine days after the ghetto had been sealed. It was conducted by Marian Neuteich, composer and cellist, who set up the orchestra and became its artistic director. The programme featured, among others, Beethoven’s pieces, which were forbidden compositions.

Continue reading