Silence of the Mind Is Awareness of Being Silence of the Mind Is Awareness of Being
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Illustration by Daniel de Latour
Wellbeing

Silence of the Mind Is Awareness of Being

Tim Parks
Reading
time 11 minutes

We miss silence, but the less sound there is around us, the more we are disturbed by the roar of our own thoughts. How can we silence the noise within?

Years ago, in my novel Cleaver (2006), I imagined a media man who is used to frantic bustle and talk going in search of silence. He flees to the Alps, looking for a house above the tree line – above, as he begins to think of it, the noise line; a place so high, the air so thin, that he hopes there will be no noise at all. But even in the South Tirol 2,500 metres up, he finds the wind moaning on the rock face, his blood beating in his ears. Then, without any input from his family, his colleagues, the media, his thoughts chatter ever more loudly in his head. As so often happens, the less sound there is outside, the more our own thoughts deafen us.

When we think of silence, because we yearn for it perhaps, or because we’re scared of it — or both — we’re forced to recognise that what we’re talking about is actually a mental state, a question of consciousness. Though the external world no doubt exists, our perception of it is always very much our perception, and tells us as much about ourselves as it does about the world. There are times when a noise out there is truly irritating and has us yearning for peace. Yet there are times when we don’t notice it at all.

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Silent Night Silent Night
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“Isle of the Dead” (first version), Arnold Böcklin, 1880
Experiences

Silent Night

A Cultural History of Silence
Ewa Pluta

The silence of rituals, protective silence, silence as a reflection of the afterworld. People’s relationship with silence has had a long and rich history. Amid the noise of the present day, is there still a way back into this relationship?

“Only peace and quiet. […] You have no idea of its power.” remarks the anonymous protagonist of A Treatise on Shelling Beans, a novel by Wiesław Myśliwski, to his interlocutor, who has arrived from so-called high society. The narrator-protagonist goes on to describe how silence cyclically returns to the place where he is having the conversation with his guest: a colony of lakeside summer cabins, surrounded by woodland, with the river Rutka meandering nearby. Every year, silence is chased out of the area by the hustle and bustle of the summer season. The hubbub is brought by holidaymakers who talk quickly, at the top of their voices. They do their unfinished business over the phone. They play music, and leave the lights on in the cabins late into the night.

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