The Past Perfect
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Cat Catching a Mouse, Japanese woodcut, 1930, Ohara Koson
Good Mood

The Past Perfect

The Japanese Philosophy of Wabi-Sabi
Aleksandra Reszelska
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time 12 minutes

“Why does bread with cracks in the crust seem to sharpen the appetite more than a smooth loaf?” was the question Marcus Aurelius posed nearly 2000 years ago. The Japanese found the answer.

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“The drooping flower
As yellow as the moon beam
So slender tonight

I nodded. The image seemed to me at once so fleeting and so permanent, like the way I had experienced time as a young child. It made me a little sad and glad at the same time.

‘Everything passes, Hiroto,’ Dad said. ‘That feeling in your heart: it’s called mono no aware. It is a sense of the transience of all things in life. The sun, the dandelion, the cicada, the Hammer, and all of us: We are all subject to the equations of James Clerk Maxwell and we are all ephemeral patterns destined to eventually fade, whether in a second or an eon.’”

[Ken Liu in his short story Mono no aware, 2013]

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In Meditations, the Roman emperor Marcus Aurelius wondered why bread with its crust cracked from baking sharpens his appetite more than a perfectly shaped loaf: “A certain fashion contrary to the purpose of the baker’s art, are beautiful in a manner, and in a peculiar way excite a desire for eating.”

If Marcus Aurelius were alive today, he would have certainly been a Buddhist. Only Buddhists have the ability to admire everyday life so beautifully. After all, the essence of everyday life is imperfection, fragility and the passing of time. Buddha would repeatedly tell his disciples: “Remember, decay is inherent in all component things.”

When we hear such a sentence for the first time, our reaction is mental escape. Questions arise: how can that be, decay, degradation, the end? So we should

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Skin-To-Skin
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"Women and an Infant Boy in a Public Bath House", Utagawa Toyokuni I, ca. 1799; MET
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Skin-To-Skin

Touch, Intimacy and Bathing in Japan
Aleksandra Reszelska

In Japan, a country rife with contradictions, touch is considered the most important of all the senses. This is despite the fact that touch is decidedly absent from the public sphere.

When I visited Tokyo 15 years ago, my long-time friend Michiko invited me to dinner. The train running from the city centre to Saitama, Tokyo’s one million-strong commuter town, was massively delayed. When I finally reached the tiny flat of Michiko, her husband Satoshi and their two children, it was so late that they both exclaimed: “You must stay the night!” And so I stayed. After dinner, Satoshi poured us a glass of a home-made distillate of salty, fermented umeboshi plums. Michiko disappeared with the children in a small bathroom, in front of which there were two rows of soft, textile slippers.

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