The Sound of Concrete
i
Illustration by Igor Kubik
Experiences

The Sound of Concrete

Life on a Warsaw Housing Estate
Konstanty Usenko
Reading
time 4 minutes

I was riding an elevator in my Berlin block of flats, when I looked at the manufacturer’s label and saw the production year: 1977. We are the same age, this retro-futurist, wave-shaped building and I. And I was born in a block just like this one, but in Warsaw – it also looked like a Star Wars spaceship.

When the Jelonki neighbourhood was built, our 12th floor flat overlooked cabbage fields stretching all the way to the horizon on one side, and the tapering silhouette of the Palace of Culture, Warsaw’s iconic example of socialist realism. Since early childhood, my sonic sensibilities were shaped by the drawn-out howls of the Nowotka Factory sirens – 6am sharp every day – and the rattle of passing trains. Later, the symphony of sounds was expanded by a mysterious gurgling in the pipes and the growling of lawnmowers outside. No wonder my heart was so easily won by the synth melodies I heard on the radio. The late 70s and early 80s marked

Information

You’ve reached your free article’s limit this month. You can get unlimited access to all our articles and audio content with our digital subscription. If you have an active subscription, please log in.

Subscribe

Also read:

Watercolours Under a Spacesuit
i
From Galina Balashova's archives/DOM publishers
Science

Watercolours Under a Spacesuit

The Story of Galina Balashova
Konstanty Usenko

Androids may dream of electric sheep, but Soviet cosmonauts dream of flowery meadows and white birch tree-trunks. Fortunately, there was someone who painted their dreams and sent them along up into space.

The Soviet space-exploration dream left its mark in various forms. There are monuments and streets named after Yuri Gagarin in most cities and towns, numerous Cosmonaut Avenues and Cosmonaut Boulevards, countless statues of rockets and sputniks. There are space-themed murals and mosaics on buildings and bus stops, as well as sports venues and brutalist-style circus buildings shaped like flying saucers. There is also science-fiction literature, electronic music played on Soviet analogue synthesizers that once blasted from speakers in parks and department stores, and children’s films such as Visitor from the Future and Adventures of the Electronic. There are all the posters, stamps and pennants you can still find at any of the Russian barakholki, or flea markets. In the early 1980s, smoke-enwreathed dance floors were filled with dancers bopping to the hit of the band Zemlyane (meaning ‘Earthlings’): “Earth in the viewpoint that I see / Like a son missing his mother / We miss our Earth – we have but one […]”.

Continue reading