Frustrating and Fascinating Questions
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Drawing by Kasia Breczko
Dreams and Visions

Frustrating and Fascinating Questions

An Interview with Jonathan Safran Foer
Julia Fiedorczuk
Reading
time 13 minutes

“Maybe we’ll believe each other when we tell our stories, maybe we’ll come to different conclusions. Even from a very strong disagreement, one can begin an interesting conversation.” Julia Fiedorczuk talks to Jonathan Safran Foer, the author of Everything Is Illuminated, Eating Animals and We are the Weather.

Julia Fiedorczuk: I must begin by asking you simply: How are you? How are you coping with the strange situation that we find ourselves in at this time of social distancing?

Jonathan Safran Foer: Well, I would say a week or two ago there was a much greater awareness of the emergency. There were sirens going off all the time. And now it is almost back to normal. I mean, everyone is wearing a mask and, of course, restaurants are closed and all of that… but my life sort of resembled quarantine anyway, so, you know [laughs].

I understand completely – I’m sort of a hermit myself. What do you think the aftermath of this situation is going to be? Some people believe it might lead to an environmental awakening. Do you think this weird experience could be a chance to make people more aware of their dependence on the environment and on each other; of their own fragility?

I hope so. If nothing else, at least this moment definitely proves that we are capable of making big changes quickly, although Americans may be having a harder time with that than some other places in the world. After only one month, people are protesting. And for what? I can’t even imagine the answer to that question. Anyway, it’s interesting to think why we are able to make this change. You hear people say: It’s inspiring that we are protecting the more vulnerable among us. We’re willing to alter our lives for older or sick people. I don’t think that’s true. I think people are trying to protect themselves. If your government had said that everybody needs to go into quarantine otherwise people in Bangladesh will get coronavirus, would people have obeyed? Or not even that. If the government had said you need to wash your hands,

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Goddess O’Keeffe
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Georgia O’Keeffe with one of her paintings in Abiquiú, New Mexico, 1960. Photo by Tony Vaccaro / Getty Images
Experiences

Goddess O’Keeffe

The Life of Georgia O’Keeffe
Julia Fiedorczuk

They would call her the mother of American art. She saw beauty in both flowers and animal bones, and successfully developed a new language in painting: both sensual and precise, realistic and abstract.

The last, 39th, place at the triangular table The Dinner Party, an artwork by Judy Chicago, belongs to Georgia O’Keeffe. Completed in 1979, this monumental installation – nowadays considered an icon of feminist art – celebrates diverse art by women and symbolically restores them to their rightful place in the history of Western culture. Each place setting consists of a china plate, embroidered table runner, gold ceramic chalice, napkin and cutlery. Below the table, on the floor made of porcelain tiles, there are inscribed the names of a further 999 women guests: poets, artists, mystics, warriors, historical and mythological figures, about whom our civilization, out of spite, would rather not remember.

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